Setting up Work at Newstead Abbey

When we went to Newstead Abbey to set up our work, I wanted to place mine on a mahogany surface to reference where the idea of my project originally came from. I also found that the shiny, reflective surface of the wood was a good way to highlight the crudeness of materials that I had used, and the kind of grittiness compared to the smooth table. The way the pots reflect in the glossy surface gives the objects some extra emphasis and it reminds me of water, again linking to the ideas behind the work. 

They are placed in the Grand Drawing room, which also contains various pianos, a large number of ornamental furniture and large portraits hanging on the walls. It looked like a place of entertainment and indulgence, where I imagine residents and guests would engage in blissful ignorance towards how any of the luxury possessions came to be there.

 
















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