sketchbook - Indigenous Arts of the Caribbean

 


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21.10.20 - ADDITIONAL RESEARCH - Modern Landscape

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The Russel Falls, Tasmania. James Haughton Forrest, 1924   This landscape was done using oil on canvas  in 1924, by James Haughton Forrest at the age of 99. Unlike older classical landscapes, this painting is about nature rather than societal status. The only evidence of human life is what appears to be a cabin in the distance that looks small and insignificant, especially against the crashing waterfall and whitewater rapids which are an immense force in nature - more than enough to sweep the building away. Even with this sublime element, the overall feel of the scene is tranquil and idyllic with the naturalistic imagery of lush forests, a mystical hazy sky and a rainbow at the bottom of the three tiered waterfall. The snow capped mountain in the background uses very soft brush strokes with purple hues. The depth of field that this creates may owe itself to the invention of photography which we explored a couple of weeks ago, and I think it is extremely effective and beautiful...
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Marcel Duchamp and Sherrie Levine

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Duchamp is an example of an artist famous for their use of readymades. https://www.tate.org.uk/art/artworks/duchamp-fountain-t07573 Fountain is one of his most well-known pieces and pushes the boundaries of what constitutes art -  I find it makes people very uncomfortable and agitated when something doesn't live up to their idea of what art should be and they often use lines such as 'I could do that', 'My 3 year old could do that' or completely deny that it is art all together. Challenging preconcieved ideas of art seems like a brave thing for an artist to do because of the level of backlash it causes and rejection from the public - but I find that it is typically people not involved in the art world who are quick to say 'this is not art', I guess not everyone thinks creatively or open mindedly either, so whether we should listen to these opinions is questionable. Duchamp's Fountain seems like a humourous piece and it is weird to see a urinal in the mus...
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CRITICAL STUDIES - artists who deal with the idea of Collecting

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Ilya Kabakov collects large numbers of everyday objects and reconfigures them in groups. The way they are classified by type makes it seem informative and purposeful like a factual museum collection, showing how the context of objects can elevate or make them special; if the objects were displayed in the artists home or a domestic space they may be perceived as nothing extraordinary. This shot of his works reminds me of a car-boot sale or second hand shop, I think it questions where we draw the line between trash and treasure, and the way we like to hoard things throughout our lives - an everyday object might have personal meaning or memories attached but from anyone else's perspective it's just a lifeless thing.  Mike Kelley, More Love Hours Than Can be Repaid This piece by Mike Kelley is a collaged blanket made up of hand knitted toys and objects gathered from charity shops; I find this piece really powerful because each thing was once handmade as a gift to a loved one and ha...
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